Lohengrin. Nachklang (2024) for large ensemble and a sound track, 16'
Premiere: Moscow Contemporary Music Ensemble (MCME), Conductor – Fedor Beznosikov,
GES-2 House of Culture, Moscow, 25.06.2024

Forever Is Composed of Nows (2023) for string quartet, 20'
Premiere: Isidore String Quartet. Lucerne Festival, Lukaskirche, 07.09.2023

Black Ocean (2022) for large ensemble and electronics, 14'
Online Premiere: Moscow Contemporary Music Ensemble, conductor Philipp Chizhevsky. Film-concert "2022". "Russian Music 2.0" Project, 29.12.2022

Beati pauperes spiritu (2022) – part of Mass for organ solo, 8'
Premiere: Konstantin Volostnov. Yerevan, Concert Hall of the Composers Union of Armenia, 26.04.2022

Cunctipotens genitor (2022) – part of Mass for organ solo, 9'
Premiere: Konstantin Volostnov. Yerevan, Concert Hall of the Composers Union of Armenia, 26.04.2022

VOX (2021) opera-installation for mezzo-soprano, flute, clarinet, violin, cello, bass guitar, piano, drums, sound track, three performers and live-electronics using electroencephalogram sensors, 24'
Premiere: GAMEnsemble, conductor Oleg Payberdin. CoOPERAtion Project, Moscow Theatre "New Opera", 21.10.2021

Letters and Waves (2019) for viola solo, percussion and string orchestra, 18'
Premiere: Yuri Bashmet (viola) and Moscow Soloists Chamber Orchestra. Yaroslavl, Yuri Bashmet Festival, 09.05.2019

0 degrees II (2018) for violin, cello, piano and live-electronics, 19'
Premiere: GAMEnsemble, The Galery of Actual Music Ensemble Moscow Autumn Festival, 15.11.2018

Aeolian Strings (2018) for piano solo, 9'
Premiere: not performed

Absolve, Domine (2017) for SATB 15-voice vocal ensemble, violin and cello, 9'
Premiere: INTRADA Vocal Ensemble, cond. Ekaterina Antonenko, Aylen Pritchin (violin), Sergey Suvorov (cello). Moscow, Opera Apriori Festival, 25.03.2017

…vremenem… (2016) for female choir (8 sopranos, 8 altos) and large symphony orchestra, 17'
Premiere: not performed

0 degrees (2016) for violin, cello and piano, 19'
Premiere: Mondrian Ensemble reMusik St. Petersburg International New Music Festival, 23.05.2016

In a Grove (2015) (an episode in the almanac In a Grove) multimedia theatre play based on Ryunosuke Akutagawa's story, for two actors, video, flute, clarinet, violin, cello, piano, percussion and four-channel live- electronics, 25'. Commissioned by Meyerhold Theatre Center
Premiere: Moscow Contemporary Music Ensemble, Arman Gushchyan. Moscow, Meyerhold Theatre Center, 01.10.2015

In crosslights (2014) (a.k.a. Read Not Only) interactive live sound installation for audience, I Ching, Bass flute/flute, bass clarinet/clarinet, violin, cello and 2 performers on objects, ≈30'
Premiere: Moscow Contemporary Music Ensemble.Moscow, Electrotheatre Stanislavsky, 30.12.2014

Stanza (2014) for alto flute, violin, cello and piano, 15'. Commissioned by Platforma Project
Premiere: Ensemble Apartment House (Great Britain).Project Platforma, Moscow, 01.10.14

Ob-L-IK-I (2014) / LIK (2017) for Disklavir solo, flute, clarinet, fagot, horn, trumpet, trombone, percussion, contrabass, with documental and electronic sounds, 16'
Premiere (Ob-L-IK-I): eNsemble Pro Arte, cond. Fedor Lednyov. New Stage of Alexandrinsky Theatre, St. Petersburg, 26.04.2014. Grand Prize of the Pythian Games competition
2nd edition (LIK) premiere: Studio for New Music Ensemble, cond. Igor Dronov. The Red Wheel of Revolution / Moscow Autumn Festival, 02.11.2017

Dream Machine (2014) Interactive electroacoustic sound installation for piano and live-electronics, ∞'
Premiere: not performed

Lichter Tag (2014) for clarinet, horn/trombone, bassoon and double bass, 7'
Premiere: Studio for New Music Ensemble Moscow conservatory Small Hall, 16.01.2016

Four No Questions II (2014) (a.k.a. Lichter. Tag) live sound installation for clarinet, horn, bassoon, 5-30'. Commissioned by NDR
Premiere: Ensemble Oktoplus. Kleiner Sendesaal des NDR, 06.04.2014

Echoes to violet (2013) for flute, clarinet, violin, cello, piano, percussion, live-electronics, 19'
Premiere: Ensemble Phoenix Basel, Arman Gushchyan Kamennoostrovsky Theatre, St. Petersburg, 23.11.2013

patchworks (2013) for organ solo, 10'
Premiere: Konstantin Volostnov. Moscow Autumn Festival, Moscow Conservatory Small Hall, 05.11.2015

stillhörig (2013)
for 13 instrumentalists, 13'. Commissioned by pre-art
Premiere: Convergence New Music Ensemble, cond. Andreas Brenner. Tbilisi Conservatory, Georgia, 18.04.2013

_non-indifferente (2012) for sinfonietta type orchestra (12 players), 17'~20'. Commissioned by Ensemble Phoenix Basel
Premiere: Ensemble Phoenix Basel, cond. Jürg Henneberger. Basel, Gare du Nord, 21.11.2012

Transit (2012) Electroacoustic sound installation for electrostatic sound transducer, table with an exciter, microphone and live-electronics, ∞'
Premiere: Lange Nacht der Wissenschafte, Hochschule für Musik Dresden, 06.07.2012

Fremdkörper (2012) multimedia choreographic performance for a dancer, video, cello and live- electronics), bass flute, English horn and bass clarinet, 45'
Premiere: Matthias Lorenz, Arman Gushchyan, Ensemble Courage Dresden. Dresden, Deutsches Hygiene Museum, 25.05.2012

[ V ] (2012) cello and live-electronics, 22'
Premiere: Ilya Rubinstein, Arman Gushchyan. Moscow, Magister Ludi Festival, Cultural center of Tchech Republic, 20.02.2013

Four No Questions (2012) live sound installation for bass flute, bass oboe, bass clarinet and 3 electronic alarm clocks, 5-30'
Premiere: ensemble proton bern. Commissioned and performed. Bern, Dampfzentrale, 10.03.12

Peri-Ge (2011) for large symphony orchestra with live-electronics, 15'
Premiere: Dresdner Philharmonie, cond. Lennart Dohms. Hochschule für Musik Dresden, 07.11.11

Zwei Haikus (2011) for flute, string trio, 5'
Premiere: Camerata Variabile Basel. Basel, Gare du Nord, 24.03.11 and 08.12.11

time.fragment (2009) for violin, clarinet, piano, 3,5'
Premiere: Ensemble Nostri Temporis Kiev Music Fest, 04.10.09
Premiere of 2nd edition: Studio for New Music Ensemble, cond. Vladimir Gorlinsky. Moscow Conservatory, 28.02.10

Sanctus (2009) for organ solo, 12'
Premiere: Konstantin Volostnov. Moscow Autumn Festival, Moscow Roman-catholic cathedral, 29.11.2009

nachtstaub (2009) for sopran saxophone, percussion, 15'
Premiere: Vincent Minguet, Mariko Nishioka. Great Hall of the Music Academy Basel, 29.04.09

ierkú (2008) for guitar, accordion, 8,5'. Commissioned by Paul Klee Ensemble
Premiere: Stephan Schmidt, Viviane Chassot. Salzburg, Museum der Moderne, 16.01.09

Yevét (2008) for large symphony orchestra (70 players), 20'
Premiere: Sinfonieorchester Basel, cond. Jurjen Hempel. Stadtcasino Basel, 29.05.2008

Nihil sive (2007) for flute, oboe, double bass, accordion, 9'. Winner of the 2nd Prize of the pre-art international competition
Premiere: pre-art ensemble (Switzerland). Künstlerhaus Boswill, 12.02.2007

Musik aus vier Saiten (2006) for violin solo, 10'
Premiere: Maria Strelbitska, Great Hall of Basel Music Academy, 2006

Finding. Chamber symphony (2005/2007/2010) for sinfonietta type orchestra (16 players), 20'. Commissioned by Le Chant du Monde
Premiere: Moscow Contemporary Music Ensemble, cond. Alexey Vinogradov. Moscow Autumn Festival, 2005
Premiere of 2nd edition: Ensemble Phoenix Basel, cond. Jürg Henneberger. Great Hall of Basel Music Academy, 2007
Premiere of 3rd edition: Sinfonietta Dresden, cond. Ekkehard Klemm. Synagoge Görlitz, 2010

Metanoia (2005) for large symphony orchestra, 15'
Premiere: State Academic Symphony Orchestra named after E.Svetlanov. Great Hall of the Moscow Conservatory, 27.06.2005

Paysages Tristes (2004) for flute, oboe and clarinet/bass clarinet, 12,5'. Commissioned by pre-art ensemble
Premiere: pre-art ensemble (Switzerland), ISCM World New Music Days, Lucerne, 27.11.2004, Le Chante du Monde

Motet (2003)(text by Grigor Narekatsi [also translated by Naum Grebniov]) for soprano, mezzo-soprano/contratenor, 2 celli, positive organ, 5,5'
Premiere: Moscow conservatory students, Moscow Forum Festival, 25.06.2005

Lohengrin. Nachklang (2024) for large ensemble and a sound track, 16'
Instrumentation: 1110/1110/keyboard/11111/sound track
Premiere: Moscow Contemporary Music Ensemble, cond. Fedor Beznosikov
GES-2 House of Culture, Moscow, June 25, 2024.

Black Ocean (2022) for large ensemble and electronics, 14'
Instrumentation: 1010/0101/pno,acc/10111/electr
Premiere: Moscow Contemporary Music Ensemble, cond. Philipp Chizhevsky. Garage Contemporary Art Museum, Moscow / Online. December 15/29, 2022.

Letters and Waves (2019) for viola solo, percussion and string orchestra, 18'
Instrumentation: viola solo/perc/strings quartet/4,4,4,2,1
Premiere: Yuri Bashmet (viola) and Moscow Soloists Chamber Orchestra. Yaroslavl, Yuri Bashmet Festival, 09.05.2019

…vremenem… (2016) for female choir (8 sopranos, 8 altos) and large symphony orchestra, 17'
Instrumentation: 3222/4231/tmp,2/14,12,10,8,6
Premiere: not performed

stillhörig (2013) for 13 instrumentalists, 13'. Commissioned by Pre-Art Soloists
Instrumentation: 1111/1110/0/pno/11111
Premiere: Convergence New Music Ensemble, cond. Andreas Brenner. Tbilisi Conservatory, Georgia, 18.04.2013

_non-indifferente (2012) for sinfonietta type orchestra (12 players), 17'~20'. Commissioned by Ensemble Phoenix Basel
Instrumentation: 1011/1110/1/pno/11111
Premiere: Ensemble Phoenix Basel, cond. Jürg Henneberger. Basel, Gare du Nord, 21.11.2012

Peri-Ge (2011) for large symphony orchestra with live-electronics, 15'
Instrumentation: 3222/4331/3/hp,pno/live-electr/12,10,8,6,4
Premiere: Dresdner Philharmonie, cond. Lennart Dohms. Hochschule für Musik Dresden, 07.11.11

Yevét (2008) for large symphony orchestra (70 players), 20'
Instrumentation: 3333/4331/4/hp/12,10,8,6,4
Premiere: Sinfonieorchester Basel, cond. Jurjen Hempel. Stadtcasino Basel, 29.05.2008

Finding. Chamber symphony (2005/2007/2010) for sinfonietta type orchestra (16 players), 20'. Commissioned by Le Chant du Monde
Instrumentation: 1111/1110/2/hp,pno/11111
Premiere: Moscow Contemporary Music Ensemble, cond. Alexey Vinogradov. Moscow Autumn Festival, 2005
Premiere of 2nd edition: Ensemble Phoenix Basel, cond. Jürg Henneberger. Great Hall of Basel Music Academy, 2007
Premiere of 3rd edition: Sinfonietta Dresden, cond. Ekkehard Klemm. Synagoge Görlitz, 2010

Metanoia (2005) for large symphony orchestra, 15'
Instrumentation: 3333/4331/31/hp/14,12,10,8,6
Premiere: State Academic Symphony Orchestra named after E.Svetlanov. Great Hall of the Moscow Conservatory, 27.06.2005

Forever Is Composed of Nows (2023) string quartet, 20'
Premiere: Isidore String Quartet (USA), Lucerne Festival, Lukaskirche, 07.09.2023

Cunctipotens Genitor and Beati Pauperes Spiritu (2022) – parts of Mass for organ, 9' and 8'
Premiere: Konstantin Volostnov, Armenian Composers Union Concert Hall, 26.04.2023

0 degrees II (2018) for violin, cello, piano and live-electronics, 19'
Premiere: GAMEnsemble, The Galery of Actual Music Ensemble Moscow Autumn Festival, 15.11.2018

0 degrees (2016) for violin, cello and piano, 19'
Premiere: Mondrian Ensemble reMusik St. Petersburg International New Music Festival, 23.05.2016

Stanza (2014) for alto flute, violin, cello and piano, 15'. Commissioned by Platforma Project
Premiere: Ensemble Apartment House (Great Britain).Project Platforma, Moscow, 01.10.14

Ob-L-IK-I (2014) / LIK (2017) for Disklavir solo, flute, clarinet, fagot, horn, trumpet, trombone, percussion, contrabass, with documental and electronic sounds, 16'
Premiere (Ob-L-IK-I): eNsemble Pro Arte, cond. Fedor Lednyov. New Stage of Alexandrinsky Theatre, St. Petersburg, 26.04.2014. Grand Prize of the Pythian Games competition
2nd edition (LIK) premiere: Studio for New Music Ensemble, cond. Igor Dronov. The Red Wheel of Revolution / Moscow Autumn Festival, 02.11.2017

Lichter Tag (2014) for clarinet, horn/trombone, bassoon and double bass, 7'
Premiere: Studio for New Music Ensemble Moscow conservatory Small Hall, 16.01.2016

Echoes to violet (2013) for flute, clarinet, violin, cello, piano, percussion, live-electronics, 19'
Premiere: Ensemble Phoenix Basel, Arman Gushchyan Kamennoostrovsky Theatre, St. Petersburg, 23.11.2013

patchworks (2013) for organ solo, 10'
Premiere: Konstantin Volostnov. Moscow Autumn Festival, Moscow Conservatory Small Hall, 05.11.2015

[ V ] (2012) cello and live-electronics, 22'
Premiere: Ilya Rubinstein, Arman Gushchyan. Moscow, Magister Ludi Festival, Cultural center of Tchech Republic, 20.02.2013

Zwei Haikus (2011) for flute, string trio, 5'
Premiere: Camerata Variabile Basel. Basel, Gare du Nord, 24.03.11 and 08.12.11

time.fragment (2009) for violin, clarinet, piano, 3,5'
Premiere: Ensemble Nostri Temporis Kiev Music Fest, 04.10.09
Premiere of 2nd edition: Studio for New Music Ensemble, cond. Vladimir Gorlinsky. Moscow Conservatory, 28.02.10

Sanctus (2009) – a part of Mass – for organ solo, 12'
Premiere: Konstantin Volostnov. Moscow Autumn Festival, Moscow Roman-catholic cathedral, 29.11.2009

nachtstaub (2009) for sopran saxophone, percussion, 15'
Premiere: Vincent Minguet, Mariko Nishioka. Great Hall of the Music Academy Basel, 29.04.09

ierkú (2008) for guitar, accordion, 8,5'. Commissioned by Paul Klee Ensemble
Premiere: Stephan Schmidt, Viviane Chassot. Salzburg, Museum der Moderne, 16.01.09

Nihil sive (2007) for flute, oboe, double bass, accordion, 9'. Winner of the 2nd Prize of the pre-art international competition
Premiere: pre-art ensemble (Switzerland). Künstlerhaus Boswill, 12.02.2007

Musik aus vier Saiten (2006) for violin solo, 10'
Premiere: Maria Strelbitska, Great Hall of Basel Music Academy, 2006

Paysages Tristes (2004) for flute, oboe and clarinet/bass clarinet, 12,5'. Commissioned by pre-art ensemble
Premiere: pre-art ensemble (Switzerland), ISCM World New Music Days, Lucerne, 27.11.2004, Le Chante du Monde

Absolve, Domine (2017) for SATB 15-voice vocal ensemble, violin and cello, 9'
Premiere: INTRADA Vocal Ensemble, cond. Ekaterina Antonenko, Aylen Pritchin (violin), Sergey Suvorov (cello). Moscow, Opera Apriori Festival, 25.03.2017

Motet (2003)(text by Grigor Narekatsi [also translated by Naum Grebniov]) for soprano, mezzo-soprano/contratenor, 2 celli, positive organ, 5,5'
Premiere: Moscow conservatory students, Moscow Forum Festival, 25.06.2005

VOX (2021) opera-installation for mezzo-soprano, flute, clarinet, violin, cello, bass guitar, piano, percussions, sound track, three performers and live-electronics with electroencephalogram sensors, 24'. Commissioned by CoOPERAtion project.
Premiere: Ekaterina Palagina (voice), GAMEnsemble, Oleg Paiberdin (conductor), Moscow Theatre "New Opera"

In a Grove (2015) (an episode in the almanac In a Grove) multimedia theatre play based on Ryunosuke Akutagawa's story, for two actors, video, flute, clarinet, violin, cello, piano, percussion and four-channel live- electronics, 25'. Commissioned by Meyerhold Theatre Center
Premiere: Moscow Contemporary Music Ensemble, Arman Gushchyan. Moscow, Meyerhold Theatre Center, 01.10.2015

Fremdkörper (2012) multimedia choreographic performance for a dancer, video, cello and live- electronics), bass flute, English horn and bass clarinet, 45'
Premiere: Matthias Lorenz, Arman Gushchyan, Ensemble Courage Dresden. Dresden, Deutsches Hygiene Museum, 25.05.2012

In crosslights (2014) (a.k.a. Read Not Only) interactive live sound installation for audience, I Ching, Bass flute/flute, bass clarinet/clarinet, violin, cello and 2 performers on objects, ≈30'
Premiere: Moscow Contemporary Music Ensemble.Moscow, Electrotheatre Stanislavsky, 30.12.2014

Dream Machine (2014) Interactive electroacoustic sound installation for piano and live-electronics, ∞'
Premiere: not performed

Four No Questions II (2014) (a.k.a. Lichter. Tag) live sound installation for clarinet, horn, bassoon, 5-30'. Commissioned by NDR
Premiere: Ensemble Oktoplus. Kleiner Sendesaal des NDR, 06.04.2014

Transit (2012) Electroacoustic sound installation for electrostatic sound transducer, table with an exciter, microphone and live-electronics, ∞'
Premiere: Lange Nacht der Wissenschafte, Hochschule für Musik Dresden, 06.07.2012

Four No Questions (2012) live sound installation for bass flute, bass oboe, bass clarinet and 3 electronic alarm clocks, 5-30'
Premiere: ensemble proton bern. Commissioned and performed. Bern, Dampfzentrale, 10.03.12